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Apparently, Premiere magazine has published a list. John Scalzi blogged about it on By The Way, and then Jason Bennion added his thoughts no Simple Tricks and Nonsense.

The general agreement that seems to be forming is that Premiere was right on for half the list, and completely out of their mind for the other half (disagreement still exists on which half is which, of course). I've re-reproduced the Premiere list here, crossing off the ones I think they were wrong about. Like Jason, I'll add my own entries below:

20. American Beauty
19. Chicago
18. Clerks
17. Fantasia
16. Field of Dreams
15. Chariots of Fire
14. Good Will Hunting
13. Forrest Gump
12. Jules and Jim
11. A Beautiful Mind
10. Monster's Ball
9. Moonstruck
8. Mystic River
7. Nashville
6. The Wizard of Oz
5. An American in Paris
4. Easy Rider
3. The Red Shoes
2. 2001: A Space Odyssey
1. Gone with the Wind

First, my strikeouts:

-- Chicago brought back the movie musical, and did so in a way that worked extremely well. They did a spectacular job integrating music into the plot, and some of the set design was unbelievably creative, which actually helped achieve the effect. Any movie that has me noticing things like set design & art direction has got to be a great film.

-- Fantasia isn't a favorite of mine, but I don't think it's overrated. It was as groundbreaking as everyone says it was, and basically launched the whole concept of "Popular Classical" music. Even Fantasia 2000 followed in those footsteps, using music that was both classical & recognizable (like Pomp & Circumstance and Rhapsody in Blue).

-- Field of Dreams is just a great movie. It was on the other day at 1AM, and it kept me up well past two re-watching it. Call me sappy, but any movie that can hold my attention at that hour deserves whatever accolades get thrown at it.

-- Good Will Hunting is also a great movie, judging again by the "I'll-watch-it-if-it's-on-cable-late-at-night" meter. Affleck & Damon weaved a very complex story together very well, so it never feels the least bit forced at any point. Also, Robin Williams proves yet again that all that uncontrollable zaniness is actually quite controllable.

-- Forrest Gump is unbelievable (to Jason's point), but it is so unbelievable that it stops making a difference. At some point, you stop thinking about how unlikely the plot is, and start to see Forrest as an idea, not a character - the idea that optimism is a good thing, and that thing will eventually work themselves out.

-- The Wizard of Oz deserves its accolades for two reasons: First, it did what Chicago did in terms of weaving music into a storyline, so it doesn't feel like the movie "stops for a song." Second, the amount of Americana that has come from this film, ("There's no place like home," "Somewhere over the Rainbow," "Lions & Tigers & Bears, oh my!", etc.) is so immense, that you can't help but give it it's props...

I should also note that there are several films on Premiere's list that I haven't seen. I left them on the list on the theory that they received so much praise and yet, I have had no desire to see them. Hence, overrated (at least to me).

Now, my additions:

-- Sideways: This thing won an award for Best Comedy, and after I finished watching the DVD, I had to check the case to make sure I'd rented the same movie. I honestly don't even understand how this movie is supposed to be funny. A major downer...

-- Anything by Woody Allen: Reveered as a great director, I have yet to see anything he made that has even mildly interested me (and I'm a Jewish guy, born in Brooklyn - so I'm basically his target audience).

-- Blazing Saddles: I think some of Mel Brooks' later works were much better (History of the World, Part I, Spaceballs), but Blazing Saddles is the one that gets all the accolades. Go figure...

-- 2001: A Space Oddessey: I know, I know - it's already on the list. But this movie was so spectacularly bad, IMHO, that I had to mention it again. I'm too young to have saw it in the theaters, but I rented it on DVD twice, and fell asleep both times (the second rental was because it's so heralded as a great movie, that I couldn't believe I fell asleep the first time. After the second time, I gave up).

-- Spinal Tap: Good film. Very good film, even. Cult classic? Side-splittingly funny? No. I just don't see it.

I'm sure I'll think of more & update this entry, but that's all for now. Watch this space...